AMPLE Catalogue of
Ilan Diagrams

Jerusalem (Israel), The National Library of Israel: Ms. Heb. 9792=4

About the Ilan

TextGrid URI of the Editiontextgrid:3w9wk

Surfaces of the Ilan

Recto

(not publicly available)

About the Manuscript

Identifiers and Titles

IdentifierJerusalem (Israel), The National Library of Israel: Ms. Heb. 9792=4
Alternative IdentifiersTel Aviv, GFC, Ms. 083.011.002
Primary Manuscript TitlesClassical Ilan
Alternative Manuscript TitlesJerusalem, NLI, Ms. Heb. 4=9792

Manuscript History

Origin
Date Information17th-century
Provenance
OwnerGross, William L. (former owner)
Provenance PlacesTel Aviv (Israel)

Physical Description

MaterialPaper ๐Ÿ›ˆRefers generally to all types of thin matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw. ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Material
Dimensions Description57.8 ร— 43

Languages Used

Main LanguageRabbinic Hebrew ๐Ÿ›ˆhttps://ilanot.org/voc/languages/he-x-rabbinic ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Language

Content Description

SummaryThis seventeenth-century Italian copy of a classical ilan that goes back to the fourteenth century demonstrates the ongoing relevance of such artifacts even in an era typically presumed to have been dominated by the Lurianic Kabbalah. It preserves the core content associated with the genre from its inception: names and appellations associated with each of the ten sefirot inscribed in the medallions, networking principles inscribed in or adjacent to the channels that connect the sefirot. Ein Sof is represented as a medallion above the arboreal figure, its bottom half blackened to signify its impenetrability to human thought.
Colophon "ื ืฉืœื ื‘ืข"ื” ื™ื•ื ื”' ื™"ื“ ื™ืžื™ื ืœื—ื“ืฉ ืฉื‘ื˜ ืฉื ืช ื”ืงื˜ื™ืŸ ื™'ื”'ื•'ื“'ื”' ืœ'ื™'ื‘' ื‘'ืŸ' ื'ืฉ'ืจ' ื'ื ืฉื™'ืœ ื›"ืฅ [ืชืจืœ"ื•]"
The scribe wrote his father's name three times and erased two of them.

Further Information

Research LiteratureJ. H. Chajes, The Kabbalistic Tree (University Park, PA: Penn State University Press, 2022), 2-3, 372.

Facsimiles

Recto

(not publicly available)

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Jerusalem (Israel), The National Library of Israel: Ms. Heb. 9792=4

About the Ilan

TextGrid URI of the Editiontextgrid:3w9wk

Surfaces of the Ilan

Recto

(not publicly available)

About the Manuscript

Identifiers and Titles

IdentifierJerusalem (Israel), The National Library of Israel: Ms. Heb. 9792=4
Alternative IdentifiersTel Aviv, GFC, Ms. 083.011.002
Primary Manuscript TitlesClassical Ilan
Alternative Manuscript TitlesJerusalem, NLI, Ms. Heb. 4=9792

Manuscript History

Origin
Date Information17th-century
Provenance
OwnerGross, William L. (former owner)
Provenance PlacesTel Aviv (Israel)

Physical Description

MaterialPaper ๐Ÿ›ˆRefers generally to all types of thin matted or felted sheets or webs of fiber formed and dried on a fine screen from a pulpy water suspension. The fibers may be animal, such as hair, silk or wool, or mineral, such as asbestos, or synthetic. However most paper is made from cellulosic plant fiber, such as from wood pulp, grass, cotton, linen, and straw. ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Material
Dimensions Description57.8 ร— 43

Languages Used

Main LanguageRabbinic Hebrew ๐Ÿ›ˆhttps://ilanot.org/voc/languages/he-x-rabbinic ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Language

Content Description

SummaryThis seventeenth-century Italian copy of a classical ilan that goes back to the fourteenth century demonstrates the ongoing relevance of such artifacts even in an era typically presumed to have been dominated by the Lurianic Kabbalah. It preserves the core content associated with the genre from its inception: names and appellations associated with each of the ten sefirot inscribed in the medallions, networking principles inscribed in or adjacent to the channels that connect the sefirot. Ein Sof is represented as a medallion above the arboreal figure, its bottom half blackened to signify its impenetrability to human thought.
Colophon "ื ืฉืœื ื‘ืข"ื” ื™ื•ื ื”' ื™"ื“ ื™ืžื™ื ืœื—ื“ืฉ ืฉื‘ื˜ ืฉื ืช ื”ืงื˜ื™ืŸ ื™'ื”'ื•'ื“'ื”' ืœ'ื™'ื‘' ื‘'ืŸ' ื'ืฉ'ืจ' ื'ื ืฉื™'ืœ ื›"ืฅ [ืชืจืœ"ื•]"
The scribe wrote his father's name three times and erased two of them.

Further Information

Research LiteratureJ. H. Chajes, The Kabbalistic Tree (University Park, PA: Penn State University Press, 2022), 2-3, 372.