AMPLE Catalogue of
Ilan Diagrams

Brescia - Biblioteca Queriniana - MS L FI 11

About the Ilan

TextGrid URI of the Editiontextgrid:3w52q

Surfaces of the Ilan

Recto

(not publicly available)

About the Manuscript

Identifiers and Titles

IdentifierBrescia (Italy), Biblioteca Queriniana: MS L FI 11
Primary Manuscript TitlesGikatilla Ilan
Alternative Manuscript TitlesBrescia, Biblioteca Queriniana, Ms. L FI 11

Manuscript History

Origin
Date Informationlate 14th century

Physical Description

MaterialParchment ๐Ÿ›ˆTranslucent or opaque material made from calf, sheep, or goat skin which has been limed, dehaired, scraped, and dried under tension to produce a thin, strong material for writing, bookbinding, or other uses. For finer quality calf parchment, use "vellum." The terms parchment and vellum sometimes have been and still are both confused and used interchangeably. ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Material
FormRotulus ๐Ÿ›ˆA roll of parchment or paper unrolled vertically for reading. ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Form
Dimensions Description76 ร— 56

Content Description

SummaryThe Brescia parchment was likely written by a Spanish scribe around the late fourteenth century. The text has been attributed to Rabbi Joseph Gikatilla (1248โ€“ca. 1305). It deploys a distinctive rota-augmented arboreal schema. The message of the schema is clear: Tiferet, the central hub of the entire sefirotic tree, is emblazoned just above the compass foot perforation mark at the center of the concentric circles. As in one of the Vatican ilanot (Vatican City, BAV, Ms. Vat. ebr. 530 III), atop the innermost circle is the Tetragrammaton in its โ€œnormalโ€ letter order, along with inscriptions that stress the central position of Jacob. The rota ringing Tiferet has no parallel in its counterpart, however. It is devoted to orders of twelve: the signs of the zodiac, the Hebrew months, the tribes of Israel, and the possible sequences of the four letters of the Tetragrammaton. The cosmological valence of the rota is clear: Ein Sof may be the fount of all, but Tiferet is the center of creation. The inscription within the medallion (From Sefer yeแบ“irah) is consistent with this perception: โ€œthe Holy Sanctuary corresponding to the centerโ€ (heikhal ha-kodesh mekhuvan ba-โ€˜emแบ“a). Although the inscriptions of the channels that connect Tiferet to the sefirot that surround it betray theosophical content, e.g., โ€œthe pathways of แธคokhmah coming to Tiferet,โ€ the layout of these channels is unusual. Despite the undeniable impetus to represent the theosophical transvaluation of the ten sefirot and 22 letters of Sefer yeแบ“irah as an arboreal diagram with ten circles connected by 22 channels, most classical trees display fewer interconnections. The Brescia ilan has half the number of channels of its peersโ€”and all eight radiate exclusively from Tiferet. Recalling the โ€œTree of Wisdomโ€โ€”now in a theosophical keyโ€”the designer of this variation on the arboreal schema thought of Tiferet as the center-point not only of the divine sefirotic constellation but ultimately of three-dimensional space itself. The eight spokes of Tiferet reach eight hubsโ€”now implied verticesโ€”of the tree, imbuing it with connotations of cubic structure.

Further Information

Research LiteratureJ. H. Chajes, The Kabbalistic Tree (University Park: Pennsylvania State University Press, 2022), 44โ€“46.

Facsimiles

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Brescia - Biblioteca Queriniana - MS L FI 11

About the Ilan

TextGrid URI of the Editiontextgrid:3w52q

Surfaces of the Ilan

Recto

(not publicly available)

About the Manuscript

Identifiers and Titles

IdentifierBrescia (Italy), Biblioteca Queriniana: MS L FI 11
Primary Manuscript TitlesGikatilla Ilan
Alternative Manuscript TitlesBrescia, Biblioteca Queriniana, Ms. L FI 11

Manuscript History

Origin
Date Informationlate 14th century

Physical Description

MaterialParchment ๐Ÿ›ˆTranslucent or opaque material made from calf, sheep, or goat skin which has been limed, dehaired, scraped, and dried under tension to produce a thin, strong material for writing, bookbinding, or other uses. For finer quality calf parchment, use "vellum." The terms parchment and vellum sometimes have been and still are both confused and used interchangeably. ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Material
FormRotulus ๐Ÿ›ˆA roll of parchment or paper unrolled vertically for reading. ๐Ÿ”Ž๏ธŽSearch for Ilanot with this Form
Dimensions Description76 ร— 56

Content Description

SummaryThe Brescia parchment was likely written by a Spanish scribe around the late fourteenth century. The text has been attributed to Rabbi Joseph Gikatilla (1248โ€“ca. 1305). It deploys a distinctive rota-augmented arboreal schema. The message of the schema is clear: Tiferet, the central hub of the entire sefirotic tree, is emblazoned just above the compass foot perforation mark at the center of the concentric circles. As in one of the Vatican ilanot (Vatican City, BAV, Ms. Vat. ebr. 530 III), atop the innermost circle is the Tetragrammaton in its โ€œnormalโ€ letter order, along with inscriptions that stress the central position of Jacob. The rota ringing Tiferet has no parallel in its counterpart, however. It is devoted to orders of twelve: the signs of the zodiac, the Hebrew months, the tribes of Israel, and the possible sequences of the four letters of the Tetragrammaton. The cosmological valence of the rota is clear: Ein Sof may be the fount of all, but Tiferet is the center of creation. The inscription within the medallion (From Sefer yeแบ“irah) is consistent with this perception: โ€œthe Holy Sanctuary corresponding to the centerโ€ (heikhal ha-kodesh mekhuvan ba-โ€˜emแบ“a). Although the inscriptions of the channels that connect Tiferet to the sefirot that surround it betray theosophical content, e.g., โ€œthe pathways of แธคokhmah coming to Tiferet,โ€ the layout of these channels is unusual. Despite the undeniable impetus to represent the theosophical transvaluation of the ten sefirot and 22 letters of Sefer yeแบ“irah as an arboreal diagram with ten circles connected by 22 channels, most classical trees display fewer interconnections. The Brescia ilan has half the number of channels of its peersโ€”and all eight radiate exclusively from Tiferet. Recalling the โ€œTree of Wisdomโ€โ€”now in a theosophical keyโ€”the designer of this variation on the arboreal schema thought of Tiferet as the center-point not only of the divine sefirotic constellation but ultimately of three-dimensional space itself. The eight spokes of Tiferet reach eight hubsโ€”now implied verticesโ€”of the tree, imbuing it with connotations of cubic structure.

Further Information

Research LiteratureJ. H. Chajes, The Kabbalistic Tree (University Park: Pennsylvania State University Press, 2022), 44โ€“46.