AMPLE Catalogue of
Ilan Diagrams

Vatican City, BAV, MS Vat.ebr. Borg.ebr. 21

About the Diagram

ContextHermeneuticalExpresses that the usage context of a diagram is for hermeneutical purposes.
Research LiteratureThis seventeenth-century Italian copy of a classical ilan that goes back to the fourteenth century demonstrates the ongoing relevance of such artifacts even in an era typically presumed to have been dominated by the Lurianic Kabbalah. It preserves the core content associated with the genre from its inception: names and appellations associated with each of the ten sefirot inscribed in the medallions, networking principles inscribed in or adjacent to the channels that connect the sefirot. Ein Sof is represented as a medallion above the arboreal figure, its bottom half blackened to signify its impenetrability to human thought. A clear channel connects the top half of Ein Sof to the highest sefirah of Keter. A rectangular double-lined frame follows the cut of the parchment and a double-lined circle frames the central arboreal figure. Though likely intended to serve as an organizational device to distinguish the tree from the material below it, the circle may have also been intended symbolically to signal the realm of the holy. The scribe has added two additional diagrams in the substantial space that remained beneath the arboreal figure. To the left, ten sefirot are represented as concentric circles formed of the acrostics of their respective names. This diagram is known from the ca.1400 work Meirat 'einayim of R. Isaac of Acre. To the right, the ten sefirot are represented in the form of an alef, the first letter of the Hebrew alphabet that also has the numberical value of one.

Surfaces of the Diagram

Recto


About the Manuscript

Identifiers and Titles

IdentifierVatican City (Vatican City State), Vatican Library: Ms. Borg ebr. 21

Manuscript History

Origin
Date1600 - 1699
Date Informationמאה י"ז(?).
Provenance
Provenance PlacesVatican City (Vatican City State)

Physical Description

Number of Pages1 עלה.

Languages Used

Main LanguageRabbinic Hebrew

Further Information

Research LiteratureBibliothecae Apostolicae Vaticanae codicum manuscriptorum catalogus ... S.E. Assemanus ... et J. S. Assemanus, I: Codices ebraicos et samaritanos (Romae 1756), pp. 409-455.
Hebrew Manuscripts in the Vatican Library; Catalogue, ..., edited by Benjamin Richler, palaeographical and codicological descriptions by Malachi Beit-Arié in collaboration with Nurit Pasternak. Città del Vaticano, Biblioteca Apostolica Vaticana, 2008 (Studi e Testi 438)
Notesבתחתית העמוד קטע על מרכבת יחזקאל. / נושא נוסף: קבלה / נושא נוסף: אילן הספירות

About the Edition

EditorsEliezer Baumgarten
Josef H. Chajes
Maximilian de Molière
Maximilian de Molière

Other Formats

You may also download this record in one of the following formats:

Vatican City, BAV, MS Vat.ebr. Borg.ebr. 21

About the Diagram

ContextHermeneuticalExpresses that the usage context of a diagram is for hermeneutical purposes.
Research LiteratureThis seventeenth-century Italian copy of a classical ilan that goes back to the fourteenth century demonstrates the ongoing relevance of such artifacts even in an era typically presumed to have been dominated by the Lurianic Kabbalah. It preserves the core content associated with the genre from its inception: names and appellations associated with each of the ten sefirot inscribed in the medallions, networking principles inscribed in or adjacent to the channels that connect the sefirot. Ein Sof is represented as a medallion above the arboreal figure, its bottom half blackened to signify its impenetrability to human thought. A clear channel connects the top half of Ein Sof to the highest sefirah of Keter. A rectangular double-lined frame follows the cut of the parchment and a double-lined circle frames the central arboreal figure. Though likely intended to serve as an organizational device to distinguish the tree from the material below it, the circle may have also been intended symbolically to signal the realm of the holy. The scribe has added two additional diagrams in the substantial space that remained beneath the arboreal figure. To the left, ten sefirot are represented as concentric circles formed of the acrostics of their respective names. This diagram is known from the ca.1400 work Meirat 'einayim of R. Isaac of Acre. To the right, the ten sefirot are represented in the form of an alef, the first letter of the Hebrew alphabet that also has the numberical value of one.

Surfaces of the Diagram

Recto


About the Manuscript

Identifiers and Titles

IdentifierVatican City (Vatican City State), Vatican Library: Ms. Borg ebr. 21

Manuscript History

Origin
Date1600 - 1699
Date Informationמאה י"ז(?).
Provenance
Provenance PlacesVatican City (Vatican City State)

Physical Description

Number of Pages1 עלה.

Languages Used

Main LanguageRabbinic Hebrew

Further Information

Research LiteratureBibliothecae Apostolicae Vaticanae codicum manuscriptorum catalogus ... S.E. Assemanus ... et J. S. Assemanus, I: Codices ebraicos et samaritanos (Romae 1756), pp. 409-455.
Hebrew Manuscripts in the Vatican Library; Catalogue, ..., edited by Benjamin Richler, palaeographical and codicological descriptions by Malachi Beit-Arié in collaboration with Nurit Pasternak. Città del Vaticano, Biblioteca Apostolica Vaticana, 2008 (Studi e Testi 438)
Notesבתחתית העמוד קטע על מרכבת יחזקאל. / נושא נוסף: קבלה / נושא נוסף: אילן הספירות

About the Edition

EditorsEliezer Baumgarten
Josef H. Chajes
Maximilian de Molière
Maximilian de Molière